The Gathering

Like a stained-glass cathedral it was

Back from a solidly inspiring long weekend with wondrous artists- Cindy House, James Coe, Julie Zickefoose, Mike DiGiorgio and Barry Van Dusen- in beautiful New Hampshire, with lots of fresh air, brilliant foliage and discussions of what we do and why we do it. We somehow nailed down the perfect weekend for fall color and weather. The awesome pastel artist Cindy hosted the gathering at her 1790-built house in the woods of Sutton, and we enjoyed hikes, a walk in a cranberry bog (”why, what’s that little round red thing sitting all alone on the moss? A cranberry? No way!”), some fresh ocean air at Plum Island watching gannets and eiders on and over the waves (Cindy illustrated the waterfowl plates for the National Geographic Field Guide to North American Birds, so we were in capable hands). There was a show-and-tell day with comments and critiques, we sketched wild turkeys at the feeders, paid a visit to the Banks Gallery in Portsmouth (or was it New London?) where Cindy and Jim exhibit their work; there was comedy and morning coffee on the deck, and vast amounts of inspiration spread around. I came home with a head full of ideas and new directions for my work, and it’s back to the drawing board, literally.

A wild cranberry on the hoof

Deep retinal burns can be avoided by not looking directly at this tree

Barry Van Dusen (left) ponders the latest plein air canvas by Jim Coe (right)

Sketchin’ with Mike DiGiorgio and Barry Van Dusen

Julie takes a call

 

A backyard bird

Cindy’s pastel collection- one of every color known to man

A quiet moment at Cindy’s pond.

Teaching From Nature

Perfect Workshop Weather at the Quartz Mountain Fall Arts Institute

When you are asked to do an outdoor drawing workshop in Oklahoma, generally you can expect downpours, tornadoes, hailstorms and plagues of locusts. That all happened (except the locusts), but happily, not until the workshop was over. We were blessed with the finest fall weather Oklahoma has to offer: clear blue skies, temperatures in the upper 70’s, and the mildest of light breezes to keep us comfortable as we sketched. Perfection.

Rock ‘N Cactus Drawing Demo

Stunningly rugged scenery and great weather added up to four fabulous days at the Oklahoma Art Institute’s fall session. The workshop was held in a beautiful stone-and-timber lodge, a jewel in the rough stone setting of Quartz Mountain State Park. Just north of Altus, Quartz Mountain is a pile of pink granite boulders, prickly pear cactus, post oak, juniper and hackberry trees beside a fine blue lake patrolled by white pelicans and osprey. I was teaching a course in field sketching and nature journaling, and my sixteen intrepid students were public school teachers from small towns and inner cities around Oklahoma. They were a dedicated bunch, ready for anything including clambering around rocks and drawing pictures. We had a blast.

Comfy All-Granite Seating, Open Air Classroom

I recently heard a term that seems to describe what’s happening to a lot of us who spend time in air-conditioned and artificial spaces, who live in houses with windows that don’t open, in cities without parks or green spaces. The term is nature deficit disorder. It explains why we humans can let our environment suffer, why we can wipe away huge chunks of it, develop our world beyond recognition, and allow other species to decline and fall. We’ve lost touch with what E.O.Wilson calls “biophilia”, our human need for nature and wildness, the “refuge of the spirit, remote, static, richer even than human imagination”.

A Rock ‘N Tree Drawing Demo

I think drawing is a point of entry into the natural world. Filter the reality (a stone, a cactus, a tree) through your eyes, mind, memory and muscles onto your paper, and create a bond with what you’re drawing. The bond persists a surprisingly long time.

Post Oak Demo

At Quartz Mountain, I was grateful to have a few days with these wonderful, motivated people. We sat in companionable silence and listened to the lapping of waves on the lakeshore and the cries of the osprey. We sketched buttonbush and greenbriar and piles of rocks with asters blooming in crevices. We wrote personal observations alongside our notes on leaf color and berry size. We enjoyed those few days of reflection and connection to nature via sketchbook and journal. And the best part is this: those sixteen teachers will go back to their classrooms and show their own students another way to look at nature: with their eyes, hands and hearts.

WordPress is not happy today

I’m being frustrated in my attempts to post here at Drawing the Motmot…WordPress apparently has a bug in the stew and is not uploading any images. Since the post I want to put up is image-heavy and doesn’t work as well on text alone, I’ll just hold that one back until the exterminator fixes the problem. Sorry!

Note: I’m going out of town until the 23rd and will be drawing birds with my bird-drawing buddies in New Hampshire. I’ll be back with lots of images, so I hope these guys are on top of the problem by then.

See you soon!