Drawing The Motmot

April 29, 2008

The Fisher and the Goshawk

5:15 is when the day begins now. The first bird song has been the Eastern phoebe; it’s now being joined by a robin. That’s the early bird who gets the worm- phoebes prefer airborne foodstuff. The morning chorus is being overlaid this dawn with a soundtrack of pattering rain and car tires hissing on wet highway. The coffee is hot. Good morning.

I have a pleasing note of eco-news today. Environmental stories in general have not been a big source of joy lately so I’m happy to pass along this personal observation. There is still a wildness in the world.

Petersham is a lovely New England small town- there’s a country store (with great sandwiches), a post office, a Commons with a pond, meadow, and a bandstand; tall-steepled churches on Main Street ring the hours. It is at the eastern edge of the Quabbin Reservoir, the largest source of fresh water in Massachusetts and the source of what Bostonians can enjoy straight from the tap. The considerable watershed is well-protected and heavily forested, and there are a great deal of fine forests, rivers, lakes and reserves throughout the region. I’ve been tremendously impressed with the farsightedness of public and private conservation organizations which preserve this land and make it so easily accessible to hikers, campers, paddlers, and anyone else who wants to get out of their cars for some low-impact land-use. There are trailheads leading off from roads and highways everywhere. I keep my hiking boots handy.

There’s a nature preserve not five minutes from here, and once you hit the trail, you’re in another world. Cross a little bridge over a wild stream, stroll past the great meadow and the beaver pond, and the trees begin to grow bigger and older and less tame. Moss creeps up and over everything: fallen logs and boulders big as motor homes are softened by deep-pile green carpet. Fiddle-heads (fern sprouts) are rising from the leaf-litter like cobras, dead snags are contorted and patinaed by age, and in the gloomy hush you find yourself looking over your shoulder for bears or leprechauns. There’s enchantment in these woods.

The Northern goshawk is a symbol of wildness and ferocity; Attila the Hun wore the image of a goshawk on his helmet. I’ve been lucky enough to see one maybe three times in my life. And big mustelids are equally fierce and wild. Both species need good habitat, large areas of mature forest and good prey availability.

The mossy glade I chose to draw in last week turned out to be a fine place for goshawks. An adult bird perched in a white pine at the edge of the opening made the forest ring with loud hacking cries. I was properly awed. The glade was also a fine place for other wildlife, as I discovered.

If you sit very quietly sketching or painting, you’d be surprised what doesn’t see you first. A scrabbling sound caused me to look up to see a large, furry black mammal climbing a snag 60 feet away. It had long bushy tail, a wedge-shaped head, large paws and a golden wash across the shoulders. It was on the far side of the trunk and had it’s paws wrapped more than halfway around it (I went back and measured that trunk: it was a good 16″ thick). I reached for my camera when it saw me, wherupon it slid backwards and dropped to the ground, hitting the moss with a muffled thud. It ran like hell and was gone like a ghost. I’d just seen my first Fisher.

How rare are these two creatures of the northern woods? They are not common. Fishers are declining in the Southern and Pacific regions of the United States, mostly due to logging and other habitat loss, but here in the Northeast, they are increasing, as are goshawks. The Northeastern forest is renewing itself; and as forest habitat recovers, so do the goshawk and the fisher. I hope to see them again- yet another incentive for me to go sit quietly in the woods with a sketchbook and a paint kit. Good morning, indeed.

March 18, 2008

When Bloggers Collide

Filed under: Artists, Music, Nature, Oklahoma, birding, self-indulgence, travel — zeladoniac @ 12:09 am

Fun with Photobooth

Two Birds of a Feather

Just chillin’ with my homey over here at the Rancho Motmot; TR came by for some liquid beetle juice. Nothing like cochineal on the rocks with a twist and a lifer black-and-white warbler to get your mojo going.

TR: “Motmot serves the best beetle juice in town and a wicked platter of wild birds and Zick dough

M: “Don’t forget the fresh mozzarella- I slaved nearly half an hour over that!”

TR: “Didn’t know you could get fresh mozzarella in Oklahoma- you’re about to embark on a third career- they’re going to be lining up to get their gums around this stuff”

M: “What exactly are you saying about Oklahoma dentistry, pal?”

TR: “My dentist is still in New Mexico”

February 16, 2008

Where Did I Go?

Filed under: Art, Artists, How-to, Nature, Oklahoma, bird art, birding, birds — zeladoniac @ 1:08 am

pastelbison.jpg

I went all sporadic on you again, sorry! I’ve been in Reduction/Organization/Creation mode, no time left over for much of anything else except for doing my taxes. Not that I haven’t thought about you- honest- everything reminds me of a blog post. Remember my little remark about cochineal beetle juice the other day? I just happened to be sipping my favorite new apertif, Campari and Cinzano With a Twist on the Rocks, enjoying the very interesting warm red color of the drink, as well as the peculiar bitter aromatic flavor with an underlying nuttiness, and looking at the ingredient list on the Campari bottle noticed that the only thing specifically mentioned was Natural Carmine Color. The rest of the ingredients, apparently, are a closely guarded secret. Only Mr. Campari knows for sure, or something like that. So I looked up Natural Carmine, and sure enough, it’s cochineal beetle juice. Who knew? I feel even closer to the splendors of nature drinking this stuff, and now I have something else in common with paint.

ccdrink.jpg
Think I’ll call this drink The Painted Bunting

Current art projects include a logo for OU’s Darwin celebrations (Darwin turns 200 next year- lots and lots of candles he’ll be blowing out), some new drawings, a pastel of a resting bison-see above-and a new commission of a pair of Australian Black swans. That’s a going to be a post all in itself. Do you know what I had to go through to get my reference material?

Q:Where do you find Australian Black swans in Oklahoma in the dead of winter?

A: You find them at the Jasmine Moran Children’s Museum in Seminole. Silly question.

Q: Are Australian Black Swans nice birds?

A: No. Swans are mean and will hurt you. Australian Black Swans will hurt you the hardest.

meanblackswan.jpg

Oh no! A swan! Run like hell!

About the bison picture at the top of this post: the background was an experiment that turned out very well. I’ve been hearing all about pastel washes: you draw on the pastel and “wash” it with turpentine or turpenoid, in my case. Works real nice. You use as many colors as you want in the dry medium, get the colors where they look good, then brush on the turp, mooshing up and dissolving all the colors , smushing them around and into each other. When it all dries you can go over it again with more dry pastel. And turp it some more. As far as I know there’s no end to it. The pastel sinks into the tooth of the paper and stays there for good (I’m using Rives BFK heavyweight). Part of the beauty is that the paper doesn’t buckle, dries fast and flat when you saturate it with turpentine as opposed to water. Just don’t light a match while you’re waiting for it to dry, and use some ventilation, for God’s sake.

pastelwasher.jpg

Pastel wash on Rives BFK, still wet.

Once you have your pastel washed paper, you can draw right over it, and add more pastel color on the drawing. Try it- it’s fun and easy!

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